Computational Spectatorship: from distant watching to the datamatic – Daniel Chavez Heras

Can audiovisual archives be considered “cultural big data”?
Are moving images like any other type of data?
How can we programme machines to find value in digital moving imagery? What types of machines, and what kinds of value?

Mario Klingemann, My Artificial Muse. June 13, 2017.

POV-Matter and Machinic POV between Affects and Umwelten – Mitra Azar

Within the broader attempt of embarking in a genealogy and an archeology of POV  (Point of View) which aims at providing a framework for analyzing the various regimes of visibility and regimes of truth[2] which coalesce together with different forms of POV and their corresponding Umwelten…