Can audiovisual archives be considered “cultural big data”?
Are moving images like any other type of data?
How can we programme machines to find value in digital moving imagery? What types of machines, and what kinds of value?
Tag: data
Troubling the Accident: Notes on Compression Hacking – Carleigh Morgan
The technique of compression hacking made what is commonly credited as its first appearance with Takeshi Murata’s 2005 short film, … More
MACHINE FEELING 2018 